Twelve Tones by Vi Hart

Self proclaimed “Recreational Mathemusician” Vi Hart has created a wonderful video Twelve Tones, ostensibly “about” twelve tone music, randomness, creativity, pattern recognition and much much more.  This beautiful work will amaze and elucidate, and yet will leave you filled with awe at the Mystery of Creation.

Gavrilov plays Prokofiev

Russian pianist extraordinaire Andrei Gavrilov takes on Prokofiev’s 8th Piano Sonata.  This clip features the 3rd and final movement.  One of the so called “War Sonatas”, but seldom performed or recorded.  I’ve long been a fan of Gavrilov’s stunning virtuosity & musical sensibilities, and this piece really showcases both assets.  Be patient!

Argerich plays Lizst

From 1966:  the great Argentinian pianist Martha Argerich plays Hungarian Rhapsody No. 6 by Franz Liszt (Hungarian 1811-1886).  It is sometimes argued that Liszt was the greatest pianist to ever live.  He was most certainly a great and charismatic showman and his piano music, no doubt, reflects his attributes as a virtuoso.

Liszt at the Piano

List in his last year of life

Liszt in 1886, about 2 months before his death

Pollini plays Bartok’s Piano Concerto No. 1 (1st movement)

Maurizio Pollini is one of the greatest pianists of the last 50 years and he is not afraid to champion work by more modern composers.  If you want melodic Bartok, check out his 3rd Piano Concerto, completed near the end of his life.  If you want to hear something that will grab you and shake you by the lapels, something that is percussive, dissonant and harsh, something exciting and original, then this just might be your cup of tea.  Bartok wrote this in 1926, the same year he wrote his equally brilliant Piano Sonata.

Can’t get enough?

2nd movement

3rd movement

Behold! Yuja Wang performing Stravinsky’s Petrushka (excerpt)

Stravinsky composed the music for Petrushka as a Ballet in 1910-1911.  The story of a puppet, Petrushka, made of straw and sawdust, who comes to life and develops emotions.  And I am sure it is a real exciting experience.  But I am more interested in this version, the piano version, which was created in 1921 for pianist Arthur Rubinstein (Stravinsky himself could not play it, in fact, I don’t know how anyone can play it, seems insanely difficult, exhausting).  It is a joyful, colorful, modern work of art, a real show stopper, a treat to see performed (especially by the beautiful Yuja Wang!).