As far as I know, and that is certainly not much, Ravel wrote 2 piano concertos. Both are fantastic, and contrast nicely with each other. They were both written around the same time, 1929-1930. The Concerto in G is light, jazzy and has an affecting adagio in the middle section. The Left Hand Concerto is dark and moody and doesn’t have a middle section.
The Left Hand Concerto was commissioned by Austrian pianist Paul Wittgenstein, who happened to be the older brother of Ludwig Wittgenstein, the famed philosopher (known for quotes such as “I don’t know why we are here, but I’m pretty sure that it is not in order to enjoy ourselves.”). Anyhow, Paul Wittgenstein made his musical debut in 1913, at around age 25. In 1914, World War I breaks out and he is called into Military Service. It does not go well for Wittgenstein, during a battle he is shot in his right arm and then captured by the Russians. His right arm is amputated. While recovering in a prisoner of war camp in Siberia, he resolves to continue his career as a pianist using only his left hand. After the war, after much study, he approaches many well-known composers of the day, including Maurice Ravel who wrote the Piano Concerto for the Left Hand for Wittgenstein. There was friction between Wittgenstein and Ravel, after Wittgenstein made changes to Ravel’s score. Go figure.
Etudes (French for “studies”) are instrumental works, usually requiring considerable athleticism or dexterity, intended to help develop particular technical skills at whatever instrument. The great ones, like those of Chopin or Debussy, transcend the level of being mere exercises, and are great works of music, frequently preformed in concert halls. Bartok wrote only these 3. He performed them for the first (& last) time in 1918 to an unprepared and shocked audience.
This performance is by a young (age 25 at the time of this recording) Russian pianist Mark Taratushkin. For whatever reason, even though I have heard various recordings of these works, his performance here really impressed me, somehow transcending the sheer virtuosity required. Bravo!
I was a a student T.A. at Cal Arts 1975-1976, and I was tasked with instructing fellow students on the operation of the Optical Printer and the Oxberry Animation Stand (skills I acquired from the great Pat O’Neill, a mentor). In the course of teaching Optical Printer techniques, the class did little film experiments (which I used to keep in film cans that I labeled “pr. cl.”, my abbreviation for “printer class”). I left CalArts before the end of the 1976 academic year to work at Industrial Light & Magic on a film called Star Wars, and the classes were ably taken over by David Wilson. One of the students in the class, Rick Blanchard, ended up with the “little experiments” and created this film. Crazy, but I have no memory of how I ended up with a print of the film, which I had digitized a number of years ago, along with other films, and promptly forgot about.
Thanks to Covid-19, I haven’t been able to get out much and add to my time-lapse library. So, I stayed home and pointed my camera at the sky. Rather than present them straight, I added some simple blending effects and created this film, a memento of sheltering in place. Find beauty where you can.
Truncated and QUAD-o-RAMAed so that you can experience and enjoy this classic 1950s science fiction film in exactly 10 minutes. Note the exclamation mark after Tarantula only appears in the advertising art but not on the main title of the actual film, a fascinating bit of useless trivia.
A great performance by Yuja Wang, wonderfully photographed capturing all the major members of the orchestra. This bluesy jazz influenced work premiered in January 1932 with Ravel conducting the orchestra and Marguerite Long performing (the work is dedicated to her). It is said that Ravel was influenced by Jazz idioms which were popular in both Paris and the United States. Gershwin’s Rhapsody in Blue was premiered in 1924. Was Ravel influenced by Gershwin? Certainly there was some mutual admiration. They met in New York in 1928, Gershwin age 30, Ravel age 53. Gershwin supposedly asked Ravel about the possibility of studying with him… to which Ravel replied: “Why would you want to be a 2nd rate Ravel when you can be a 1st rate Gershwin?”
The Last Black Man In San Francisco (2019) is a beautiful elegy of a film, and offers a truly unique view of the City as captured in the brilliant opening montage, which sets the tone for the film that follows. The film has a great score by Emile Mosseri, but the music used in the opening montage is actually by Michael Nyman – “MGV (Musique a Grande Vitesse” originally commissioned to celebrate the inauguration of the TGV North-European Paris-Lille line in 1993. The film also features an astounding cover of “San Francisco (Be Sure To Wear Some Flowers In Your Hair)” featuring Mike Marshall (vocals) & Daniel Herskedal (tuba). Just see the film!